Gear

Wednesday, October 8, 2025



"So... I'm gonna kinda geek out a bit and talk about gear I bought."


Just recently I acquired two pedals to update my current setup. They are the Boss IR-2 and the JHS 424.


For a few years I've been using the VOX Stomplab IG as an amp modeler for all the recordings that have been released. The idea of using this piece of gear is to eliminate having to use any microphone setups which would take up recording time. When I realized that this recording setup was effective I started to play around with other ideas on how I optimize it looking through amp modeler type of units. I've given up using plugins and software to get specific sounds. When I watched an interview with Mac Demarco for Ernie Ball I realized that his approach to recording was simple and straight to the point inspiring me to have that same approach. I wanted to control more of the onboard gear than the software (and anyway my laptop is pretty damn old so I'm not gonna even try to add a bunch of plugins and software that may cause it to die).

I want to train my hearing rather than looking at a computer for specific frequencies. I want to turn knobs and get color that way. Honestly I let the mastering producers take care of the bigger sound these days.I'm hoping soon I could acquire a Tascam 488 or a Tascam 688 and record records with that setup alone and use on board gear for most of the recording processes. Obviously I want to have the DAW on the tuck for certain things, but I want to be able to explore recording on tape more than ever. I think I love having the analog process be more triumphant than the digital.


So the Boss IR-2 is going to be used in the newest productions here on out until I find another unit that will suit my needs as a player. I bought this specific unit for the crunchy emulation alone as I'm more keen to having dirty sound on my recordings. On top of that I want to be able to put other pedals behind it to sort of enhance the experience. I may need to get a compressor pedal to sort of accenuate certain frequencies.

During some tests using the Baritone guitar the output of sound was definitely worth spending the money on the unit. With the slightly dirty settings of the Tweed and even the Diamond selection the sound really came out man. I'm already figuring out how I want to make specific riffs for this sound and am excited to see what else I can mix with the guitar.



The JHS 424 pedal just recently came out and being the Mk.gee fan I am I’ve realized that most of the sounds he was making from raw 424 preamps blended well for the recordings I was making for the “Age 40 - 1985” record. With Mk.gee he was able to craft the specific sound that I’ve been wanting to capture to incorporate with the slightly dirty sounds when played soft and this distorted break up when played hard.

Honestly he's the reason why I look at the Baritone a different way. In fact I gravitate towards that instrument more along with my Squire Bass VI. In the beginning the Baritone guitar was a bit of a struggle to work with, but putting in flatwounds that were both from the Bass VI sets and regular flatwounds I'm able to play it the way I envisioned it: finger style most times, but with thumbpick strum on some heavy chords for dynamics.

Right now I'm starting to write some riffs with Nicole from One Hundred Year Ocean and have been compiling riffs that could potentially be melodic and heavy at the same time. I'm going to be using these new pieces of gear to see if the sound I'm going after would create the vision I'm chasing after. Maybe if this project works out (and hopefully it does) that I can officially be in a band with some who has been a big influence in my work as well.

Using the Stomplab IG def helped provide a foundation of how I wanted to make certain sounds on my recordings, but I realized that there is a bit of a limitation being that the patches don’t necessarily have space to tweak certain frequencies. It was kinda difficult to dial in sometimes since it is patched based. The latitude to make any changes was a bit of a challenge. I’m hoping that this unit will allow me to dial in specific tones for specific guitar sounds I want to make and journal that as reference.

That's all for now! Thank you all for checking out the record. I really appreciate it!

- Arthur

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Social Media Experiment Part 2 - Results are in

Wednesday, October 1, 2025

@lst_lvs “Age 40 - 1985” OUT NOW!! #mathrock #midwestemo #emo #indie #lstlvs ♬ original sound - LST LVS


I had attempted to post everyday for the rollout of the record to see if any new movement would become found for current users on the app. As of October 1st 2026 these were my findings from my TikTok Social Media Experiment:


October 1st, 2025 TikTok analytics
Date Views Likes
Sep 01
177
10
Sep 02
136
06
Sep 03
162
05
Sep 04
148
02
Sep 05
140
03
Sep 06
134
03
Sep 07
138
05
Sep 08
544
34
Sep 09
1134
63
Sep 10
1001
41
Sep 11
1406
85
Sep 12
536
24
Sep 13
436
22
Sep 14
970
47
Sep 15
345
12
Sep 16
262
8
Sep 17
756
29
Sep 18
312
10
Sep 19
208
08
Sep 20
317
09
Sep 21
351
12
Sep 22
281
08
Sep 23
243
08
Sep 24
641
42
Sep 25
186
02
Sep 26
956
45
Sep 27
800
41
Sep 28
812
36
Sep 29
8576
153
Sep 30
271
14


Soo... was the experiment successful? Aboslutely not lol. This app is strange and fill with opportunists. I do see the appeal of why people come to this platform to blowup. Dude I even bought a promo for the day of my bday and it did absolutely nothing hahahhahaa.

Now there could be some factors that come into play as to why I got the results I got:

1. My music is very Niche:
Mathrock instrumental, indie, midwest emo emo band with no lyrics? Yeah.. not alot of people are gonna be into that

2. Originality:
This is an original project and original projects really take a long time to get off the ground. I'm here for the ride though

3. It needs more... something something. Like a gimmick:
Unfortunately I don't have that lol


Aside from that this PR rollout was kinda fun to do. It exercised specific skills I don't usually stretch and made me realize how much grinding an artist has to do to make it happen. And even then they still don't get the stability financially and mentally they deserve. The music industry has been very fucked and it's real. I'm glad that I'm a 9 - 5 worker doing this as a serious hobby without any attachments. It's definitely a blessing and I hope to make more of these projects in the near future.

thank you all for tuning in for the month. It was freakin fun honestly!!!


- Arthur (LST LVS)

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Age 40 - 1985

Monday, September 29, 2025



Age: 40 - 1985 is a project that's been in development for 2-3 years. On my teleworking days I'd head to my makeshift studio to write parts of songs. Drums are scripted when I'm on site working when I have an hour or only 15 minutes to kill in between assignements. And during these recordings I found myself completely lost as to what I wanted from the project, however, I knew there was something in these songs leading me to believe that it was special. I had to keep going and see it all the way through. This was the hardest project to complete in my years of writing and composing music.

The title "Age 40 - 1985" is an explanation of itself; I turn 40 years old on the release of this record. It signifies how long I've been working on this project and how much I've grown from all the releases that I've created. It also notes that this is the first time I attempt to write a full length record and release it with the intention of celebrating an important time in my life. From the years I've been through a lot I focused on writing through this record to keep this spirit of practice alive and not neglect what I have that is considered a gift. I get to make art without anyone telling me if its wrong or right. I get to celebrate this record the way I want. This project is me at 40yo, free and happy to be alive all the time. Happy because finally things are where they should be for me and where I want them to be.

I must admit that this record is pretty out of control lol. So many blemishes can be found on this album and I decided that I wanted to keep those in there. With Ai being a huge killer in the music industry as of right now I am realizing that humanizing these mistakes and making them be realized are essential to how I'll be continuing this feat in recording. Already the drums are digitally programmed and having to figure out how to make them a bit more natural can be tough. I wish I could play drums the way I program them or have an actual drummer perform these songs, but since this is an at home project I can only use the tools that I have available to make happen.

I hope you all enjoy this record. One day I'll be able to perform this project. For now lets celebrate.


- LST LVS (Art)

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